Vol. 10 No. 1 (2025): Mise-en-scène: The Journal of Film & Visual Narration

Letter from the Editor

• Chan PDF (English)

Dead Doesn't Mean Gone The Haunting of Bly Manor as a Neo-Victorian Text

Hollywood's Portraits of the Artist as a Kept Man

• Joakim Nilsson Article (English)

Symmetry and Centrality as Power The Use of Mise-en-scène to Create Power in Sir Kenneth Branagh’s Murder on the Orient Express and Death on the Nile

The Big Bad Wolf in Sheep's Clothing Kubrick’s ‘Shining’ on Domestic Abuse in The Dark and the Wicked (2020)

Organizing the ZOO Peter Greenaway’s A Zed & Two Noughts

• Johnston PDF (English)

Food as Story and Spectacle in Big Night (1996)

Chekhov’s Gun that Never Goes Off: Femininity and Castration in Jackie Brown (1997)

• Clinton Barney Galley (English)

Cinematic Isolation and Entrapment in The Lobster

Enter Thy Neighbour An Inland Empire Mise-en-scène Metonymy

• Hageman PDF (English)

David Lynch’s Mulholland Drive and the Los Angeles Uncanny

• Fraser PDF (English)

The Empty Vessel: Chronicles of the 'Unfed' Womb -- Examining Symbolic Female Bodies and the absence of Bodily Autonomy in Alien 3

From Innocence to Experience On the Significance of Sansa Stark's Costumes in HBO's Game of Thrones

• Franz and Kumar PDF (English)

Tears Instead of Laughter An Interview with Stop-Motion Animator Adam Elliot

• Risker PDF (English)