Editorial

• Letter from the Editor

  Greg Chan

  • Chan PDF

Articles

• Locating the Sublime Between Movement and Action: The Cinema of Jean-Pierre and Luc Dardenne Jean-Pierre and Luc Dardenne; Sublime; Kenneth Burke.

  William Engstrand

  • Engstrand PDF
• Professor Marston and the Wonder Women: Adaptation Choices and Their Effects on Alternative Lifestyles and Acceptance

  Traci Pankratz

  • Pankratz PDF
• Kobayashi's Kwaidan: Horror, History, and Culture

  Swarnavel Eswaran

  • Eswaran PDF

Mise-en-scène Featurettes

• West Side Story: Characterizing the “Bad Guy” Through Color Subconscious

  Melissa Myser

  • Myser PDF
• Colored Lighting and the Aura of Hollywood in Damien Chazelle's La La Land

  Nicole Morello

  • Morello PDF
• Under the Skin Color and Production Design in The Brides of Dracula (1960)

  Samantha Kountz

  • Kountz PDF
• Decadence and Decay in Paul Morrissey’s Blood for Dracula (1974)

  Ian Murphy

  • Murphy PDF
• The Remix, Archive, and Memory in Fifi Howls from Happiness

  Nazli Akhtari

  • Akhtari PDF
• Confinement and Duplicity Mise-en-scène in Sir Kenneth Branagh’s Murder on the Orient Express

  Sahar Hamzah

  • Hamzah PDF

• Seems Like Old Times Staging, Control, and (Mis)memory in Annie Hall

  Max Tohline

  • Tohline PDF
  • Video Essay

Undergraduate Scholarship

• Hockey and Horror An Illustrated Analysis

  Lauren Beck

  • Beck PDF