Inkblots, Ire, and Institution Psychogeography in the Art of Eddie Campbell and Alan Moore’s From Hell

Abstract

This paper discusses the way physical space is affected by its inhabitants in Eddie Campbell and Alan Moore's From Hell. Focusing on the fluid nature of Campbell's art style, it analyses how the social dynamics and emotional realities presented in the text are mirrored in both the representation of its geography and the geography of the graphic novel itself.